RESIN AXE

The creation of the resin axe was a specialism I took on to work on and develop my skills in mould making, casting, woodwork, digital skils and detailing all within a project that combined my love for fantasy and my own cultural history.

Photo by Rorie Brophy

Close-up of a roaring tiger showing sharp teeth and intense eyes.
Close-up of a purple and black marbled abstract design on a surface.
Henna/mehndi designs.

I started this project like I do with every project by researching and collecting reference images

With my research I created a reference board, only keeping my relevent references as to not confuse myself with the final design.

An Indian axe called a parashu, covered in intricate patterns and features and ornate engravings..
A fantasy-style battle axe with glowing blue runes and a dark blade. The Shadowmourne from 'World of Warcraft'.

Parashu

Shadowmourne

Because I’m from Bangladesh I wanted to create a weapon influenced by South Asian culture but still felt medieval fantasy. This is why I used the Parashu, a historical Indian Axe, as my main reference for this project and the ‘Shadowmourne’ axe from the video game 'World of Warcraft' as my reference for the more magical fantasy elements of my axe.

A detailed pencil sketch of a fantasy axe with intricate designs on the blade and handle.

The initial design of my axe.

A pencil sketch of a fantasy-themed axe with intricate details, including a patterned blade, ornamental handle, and decorative elements at the top.
Line drawing of a fantasy axe with a design that combines a dragon's head and tail with an ornate blade and handle.
Unfinished cardboard axe prop on a green cutting mat
Workstation with a layered cardboard axe model, cutting mat, measuring tape, and tools.
Myself holding the final maquette.
The finished cardboard cutout of an axe.

With my final design, I then started with creating a detailed cardboard maquette. As a very practical prop maker, I find it easiest to create a physical, simple model of whatever prop I am making to get a very clear sense of scale and allow for me to create any adjustments before I move on to creating the actual prop.

Here you can clearly see the adjustment I made with the axe, such as making the head bigger and the handle shorter to make the axe proportional to myself.

Using the cardboard maquette I created the final to scale drawing of the axe and used it to create an AutoCAD drawing.

A stack of yellow paper with sketches and designs, some of which are rolled or folded.
A large, ornate axe in white, yellow, and gold designed to resemble a the decrative elements of South Asian weaponry.
The polystyrene version of the axe head that is to be used to create the mould.

I moved on to the creation of my axe. The first step was creating the mould for it caving it out of polystyrene and then plastering and sanding the axe to shape. I then took the AutoCAD drawing and laser cut all the details on my axe to create the shape that I will be moulding.

Creating the axe head for the weapon mould, took around 5 days to make

A wooden mould of the two part axe head mould.
Wooden mould with the axe head within in ready to be casting in silicone.
Two part mould, one side with the axe mould, the other side the casted silicone.

Creation of the two-part mould that took me a total of three days to complete.

Clay sculpture of a fierce tiger's head with red eyes and open mouth showing sharp teeth.
Silicone mold of the tiger's face.

Creating the tiger’s face was quite a simple process. Moulding the face in clay and then casting it in silicone to create a mould.

Two silver casts of the tiger's face.

The two tigers were cast in polyester resin with silver powder mixed in.

Woodturning lathe with a partially turned wooden spindle
Wooden block painted black with decrative silver designs along the bottom.

The handle and top piece of the axe were made using blocks of wood that I carved using the lathe. This was the first time I had ever used a lathe, but I very quickly picked up the skill. It took me less than a day the handle and top piece, and then another day to paint both items.

Six small cups with different colored resin and wooden sticks for mixing.
A collection of test resin pieces in various shades of purple and pink.

I first tested some sample resin pieces to see the different colours before I cast the full axe.

A large purple and white resin piece in the shape of an axe, within the mould.
Close-up on a crack within the resin axe.

Pouring the resin had to be done in intervals because of how hot the resin gets, which can lead the resin to crack. This did happen however, on slightly and was a very simple fix.

I also casted the small point for the bottom of the axe.

The resin axe out of the mould and being worked on and smoothed.
A small resin piece created to be attached to the bottom of the axe handle.
Close-up of the decorative silver pattern on the purple resin axe.
Close-up of the decorative silver pattern on the purple resin axe.
The wooden axe handle, now rendered. Black with decroative silver patterns.
The wooden axe handle, decorated with the patterns ready to be rendered.
The wooden axe handle, currently only been rendered black, waiting for the silver to be added.

With all the pieces I now was left to assemble and render the axe, attaching everything together and adding ornamental details to my axe.

A close up of the wooden block, now completely rendered and now includes the metal embellishments and ornate designs.
A close up of the wooden handle that now include all the metal embellishments and other ornate details.
A close up of the wooden handle that now include all the metal embellishments and other ornate details.

Final Renders

Photo by Rorie Brophy